The Ball of the cats… is a cheerful merry-go-round of mice observed by a little voyeur black cat.

Death. Unavoidable.
Who’ll be waiting for us, who’ll hold our hand at the end of that long dark tunnel?
The Grim Reaper?
No.
The Bureaucrats.

While observing life outside his shop, a barber thinks he sees someone who is after his life and his family. Confronted with imminent danger, the barber decides to react.

A young woman tries to describe herself, presenting herself in an idyllic light: the one that is expected. The visual narration tells a very different story though, illustrating with poignant force the anxiety-provoking charge of hyper-performance and the pursuit of happiness. A film both funny and touching, and above everything, profoundly human.

Eleven-year-old Antonin drags his mother to the nursing home, determined to meet his grandfather for the first time. Unable to convince his grandpa’s estranged daughter to join him, Antonin goes alone. In a room festooned with nautical paraphernalia, he finds gruff and solitary Gilles, and they end up taking an unexpected journey.

“The Jokester,” better known as Marc-André Avon, is at a crossroads when his work in the drug trade with his best friend Manuel Gingras turns sour. When Manuel’s shenanigans start to jeopardize his family life, Marc-André turns to his lifelong passion in the hopes to start a new career: stand-up comedy.

December 24, 1983, 10:50 p.m.; Julie and her cousins had too much sugar, Santa Claus is late and Denis, alone in his car, is anxious to set foot in his ex-in-law's house to pick his children up. Like the ones I used to know is an early coming-of-age film that is as grating as it is poetic.

After a late-night high school graduation party, Chantal and Delphine find themselves walking home alone in the dark. Lost in the forest, their long night walk is punctuated by carelessness and an irrepressible desire to exist.

A musical love letter and tribute to the poor victims in horror films that didn’t make it to the sequel. In an anthemic song the dead unite across genres and time.

Paula, Santiago, Lucía and Nicolás decide to stay at their recently deceased grandmother's house while the rest of the adults are at her funeral. Old games, new questions and the absence that still beats between the walls lead the cousins to new ways to deal with their loss.