When a lonely polar bear can't find a friend.... he makes one.

In search of a bullet whose trail has been captured on surveillance camera footage, the film follows its trajectory and those of its main protagonists. Blending the early cinema technique of chronophotography with CGI, Sixty-seven Milliseconds questions the legitimacy of policing in France and warns of its excesses.

A rainy morning is interrupted by the radio. A horse's voice transports the daily commute in Los Santos, San Andreas, to a remote broadcasting station in an unspecified location. He’s written a novel reflecting on the past. An ancestral memory. Movement and time become uncertain; we traverse abandoned histories through valleys and train tracks. Among the spoor is a longing for connection, a lost sense of value, a desire to be stolen.

At 47, Stefan faces dementia, clinging to order. In a care home, Monika warms his heart. Alone, hallucinations grow, he loses work, and drifts deeper into the fog of illness.

After her divorce, a mother drives a rented moving truck with her daughter in the passenger seat. The two head into a new future, only to discover the pain and difficulties of leaving the past behind.

Lisa confronts Dan, her ex-partner, about what really happened between them.

THE FIRST INDIGENOUS FEMALE PORNOGRAPHER is Audrey Little-breast, a native woman whose life and work defy categorization. During a candid interview, she unravels the mysterious sexual appetite for “imaginary Indians” that guided her pornographic work in the 1970s, and contemplates its impact on Indigenous sexuality. This film blends and bends archival footage, pornography, and re-enactments, and invites us to ponder how deeply historical and contemporary settler-indigenous relations impact our sexuality.

A first date between a man of Cherokee heritage and a Caucasian woman goes downhill when the woman relates a surprising fact concerning her grandmother.