A rainy morning is interrupted by the radio. A horse's voice transports the daily commute in Los Santos, San Andreas, to a remote broadcasting station in an unspecified location. He’s written a novel reflecting on the past. An ancestral memory. Movement and time become uncertain; we traverse abandoned histories through valleys and train tracks. Among the spoor is a longing for connection, a lost sense of value, a desire to be stolen.

Stan, a film student, returns to his father's house for the weekend. He uses a sound effects exercise as an excuse to ask his father for help, as he's withdrawn into a mute depression.

At 47, Stefan faces dementia, clinging to order. In a care home, Monika warms his heart. Alone, hallucinations grow, he loses work, and drifts deeper into the fog of illness.

After her divorce, a mother drives a rented moving truck with her daughter in the passenger seat. The two head into a new future, only to discover the pain and difficulties of leaving the past behind.

Lisa confronts Dan, her ex-partner, about what really happened between them.

" - Oh God dude. We are like, in a morgue.
-Yeah I know man. Remeber I told you about that guy that hid the keys from me?
- Oh God!
- That's right, dude. He did it. He did it. "

The First Indigenous Female Pornographer is Audrey Little-breast, a native woman whose life and work defy categorization. During a candid interview, she unravels the mysterious sexual appetite for “imaginary Indians” that guided her pornographic work in the 1970s, and contemplates its impact on Indigenous sexuality. This film blends and bends archival footage, pornography, and re-enactments, and invites us to ponder how deeply historical and contemporary settler-indigenous relations impact our sexuality.

A first date between a man of Cherokee heritage and a Caucasian woman goes downhill when the woman relates a surprising fact concerning her grandmother.

Yves' new single finds him working in a kitchen - only to be the unfortunate victim of a dramatic workplace accident.

The Last Harvest is a short film that follows three characters navigating life within Lisbon's Cape Verdean immigrant community. The film delves into their connection to memories, nostalgia, and their ways of coping with loss, abandonment, and the complexities of life as emigrants in an urban environment.