No God No Father is a docufiction where a young man, fatherless, turns to Google as a mentor, blurring the lines between daily learning, reality, and the virtual world.

On a late-night commuter bus, a necklace was stolen. This was followed by a tragic and fatal road accident, and a series of intriguing turn of events which revealed love, hatred, and vengeance. The film climaxes as the bus went ablaze, burning and glittering against the dark coastal sky.

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Quebec Critic Award AQCC winning film offered by Lussier & Khouzam and AQCC

O is a humanistic and poetic story of a fragile man trying to achieve a simple task where his main obstacle is within himself.

A young Black ballerina performs her Sunday rituals, while facing the pressure to perform whiteness.

Canadian Grand Prize Award winning film offered by the Université du Québec à Chicoutimi and MTL Grandé
International FIPRESCI Critic’s Award winning film offerd by Bureau du Cinéma de Saguenay and SLA Location

Marie-Christine, who lost her sight some years ago, explores life in a particularly sensory way ,through her fingertips. Through her personal experience, she awaken her son's curiosity and sense of wonder about the beauty of the universe. Drawing from a constellation of highly textured analogue images and a rich tapestry of sound, Orbit journeys into the sensorial depths of Marie-Christine's memory, pondering the very essence of love and legacy.

Alternate facts, half-truths, or false appearances, lies spread throughout the world, mysteriously carried by the ignorance of some or the credulity of others. Do we even know if the truth will ever come to light one day ?

All by himself in a spaceship in 2225, Antoine Corriveau lives alone and shares different intimate subjects with other isolated persons residing in other spaceships.

All those characters are memories and parts of Antoine himself. As the story evolves, the line between him and the others gets blurred until it collapses and leads to the spaceship's explosion.

Death is like a second chance, a memory, a futuristic projection, or a parallel world.

Three rebellious teenage daughters, a restless mother, a father struggling with potatoes, and maybe some elephants, find themselves in Nairobi. What could possibly go wrong?

Shot entirely on 16mm film to recapture the aesthetics of the Roaring Twenties, Pidikwe mixes indigenous traditional and contemporary dance to create a unique object that can blur the boundaries between cinema, work of art and performance. Dance and language are linked to a system of knowledge. These are healing tools rooted in community.