"Born ash, Die weeds” is a video performance in which an anonymous body with a covered face is present in a certain area of ??the city of Santiago, Chile. This body, born in rage and ash, rejects its own masculine traits, those that biologically govern it. There is a corporal, sexual and verbal story along with a central weed without sex that is dying. Mobilizing along a non-heterosexual path, under a seismic collective and personal wound. The space is an explicit setting where gazes murdered by power and the state that does not protect lie. Likewise, it is an area of ??memories, concern, memories and constant impetus expressed under a sad but resistant and present garden. Here, the metaphor of desires is seismic. There is a crossing of various desires for justice and dislocation towards the political, moral and social structure, although many times they find themselves in the midst of a dream that may never arrive.

No God No Father is a docufiction where a young man, fatherless, turns to Google as a mentor, blurring the lines between daily learning, reality, and the virtual world.

In the 15th century, in Portugal, a group of monks built a wall around a forest and prevented the entry of women. But the hands of the living cannot control everything: in the invisible world, where night reigns and only souls light up the forest, women have built their kingdom of invisibility, without walls.

Booker is far from home but close to friends and mentors as he hosts an exuberant party. But when the noise of the party dies down and the last guests go home a listlessness returns to him. Only the next morning, while playing his trumpet, does he find his place in the stillness of the soft early light.

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Quebec Critic Award AQCC winning film offered by Lussier & Khouzam and AQCC

O is a humanistic and poetic story of a fragile man trying to achieve a simple task where his main obstacle is within himself.

Oh, Canada. Such a wonderful place to live - WHETHER YOU LIKE IT OR NOT. A musical look into the artifice surrounding the Canadian identity.

Olivia, a young university student, lives an impossible love with her partner Huáscar, in the midst of the dictatorship and the violent takeover of the UMSA in 1971, in La Paz, Bolivia.

A young Black ballerina performs her Sunday rituals, while facing the pressure to perform whiteness.